May is a Busy Time of Year

For me, May brings the triple crown of conferences/meetings: ARSC, AES, and the Recording Academy on top of my usual mastering, restoration and preservation work. Fair warning: I have poured a glass of wine and am procrastinating working on a highly challenging but utterly beautiful record in order to write this.

I joined Rich Martin (Archeophone), Bryan Hoffa (Library of Congress) and Seth Winner to teach a workshop on Digital Restoration in the 21st Century for the Association of Recorded Sound Collections annual conference. I love that we have to specify 21st century. I had to clarify to attendees that I frequently restore recordings made in the 1990s, not 1890s, as some of my colleagues specialize in the pre-electrical era of recorded music.

For the AES 150th, I offered my take on audio preservation outside of major institutions for a panel put together by Nadja Wallaszkovits. I also had a deeply moving conversation on mentoring with fellow mastering engineers and friends Piper Payne, Anna Frick, Maria Rice and Margaret Luthar.

Exciting news on the mastering front! I am thrilled to be a longtime part of the Erroll Garner preservation team, and we will all be popping the champagne to celebrate Erroll’s Centennial this year with 3 New Releases from Octave Music & Mack Avenue Music Group, including a never-before-heard sold out concert at Boston’s Symphony Hall in 1959. This exquisite collection includes the 12 LPs from the Octave Remastered series plus the Symphony Hall concert and Erroll’s last performance at Mister Kelly’s in Chicago. I shared the mastering duties with Osiris Studio’s Michael Graves. This box set was produced by Peter Lockhart and Steve Rosenthal and has expansive liner notes written by Dr. Robin D. G. Kelley, Terri Lyne Carrington and Cécile McLorin Salvant. A truly glorious career-spanning collection of music that will redefine Erroll’s legacy as a jazz pianist.

A few more mastering projects…

The Return Of… Pachyman drops this summer on ATO, but you can hear the first single and pre-order now.

DJ Black Low’s amapiano banger Uwami is out now on Awesome Tapes From Africa, but Bandcamp says the vinyl already sold out.

Hailu Mergia is releasing a reissue of an incredibly rare cassette only release from 1975, Tezeta. Pitchfork had some nice things to say about it.

Here’s a red hot single from Life In Sweatpants, Good 2 Yourself.

And a modern exotica record that requires a cocktail, This Is Vintage Now, Vol. 2.

Finally, I spoke with Geoff Stanfield for the Tape Op podcast DISCussion about my love for Scott Walker’s Scott 3, a cracked doorway from early heartthrob Scott to later avant-garde noisy Scott. My dream is to sit alone in a velvet banquette on my second martini and listen to Scott sing to a half empty room.

What I've Been Up To, Winter Edition

Today, January 29, 2021, Awesome Tapes From Africa is releasing Nahawa Doumbia’s Kanawa, new music from one of Mali’s greatest singers, an uplifting melding of contemporary Malian pop, traditional instrumentation and rhythms, and socially conscious lyrics. Bandcamp made it an album of the day. This one is special to me, because over 10 years ago, I remastered Nahawa Doumbia’s La Grande Cantatrice Malienne Vol 3, the first release on the Awesome Tapes label. I still remember unsleeving the vinyl and dropping the needle to digitize that LP. And here I am, a decade later, listening to her new music! In between, I’ve mastered and remastered every release from Awesome Tapes, truly the honor of a lifetime. On that note, check out Teno Afrika’s Amapiano Selections and DJ Black Low’s Uwami, both dropping soon, both mastered by me.

Other records that passed through my mastering studio this winter: Elska’s transporting, sometimes haunting lullabies on Leden, recorded at the Park Church Co-Op Cathedral in Greenpoint, Brooklyn and mixed by my longtime pal and collaborator Ted Young. Hear Me Calling, a sweet and moody EP by Coloradan Jess Parsons, produced by Mark Anderson. Some sunny bangers from my friends in Hawaii at Aloha Got Soul: Aura’s absolutely fiery “When The Feeling’s Right” backed with “Stop” and Mike Kahikina’s Hawaii’s Beautiful, digitized and remastered from the original tapes. I love this quote from Kahikina, pulled from the AGS website: “I was hoping to be a modern Hawaiian Bob Dylan, one man band kine, playing my guitar and singing about the issues.”

If social distancing has you missing the clubs, I urge you to turn out the lights and turn up Occurrence’s Privacy Invaders / Dead Sleep Best, which are a sneak preview of a full length dropping soon. Then sink into Even Gods Can Die’s Universus, mixed by Robert Kirby.

Bay Area synthesizer legend and electronic composer Pauline Anna Strom recorded her first new music in three decades, and I was graced with mastering duties. Angel Tears In Sunlight comes out next month on RVNG. Sadly, Pauline passed away in December at age 74. The New York Times posted her obituary yesterday. This record is just incredible, and I urge you all to take some time to listen and to watch this beautiful visual representation of “Marking Time,” directed by Victoria Keddie and Scott Kiernan of E.S.P. TV.

In between mastering duties, I’ve been reformatting analog tapes, cassettes and DATs for the Kitchen Sisters, the Arhoolie Foundation, and the Freight & Salvage coffeehouse and reveling in the time travel that is audio preservation.

With that, I wish you all a happy new year and go back to declicking this LP that will soon be transformed into a gorgeous reissue which I’ll write about when I get around to it in another six months.

Pandemic Playlist

As we edge into October, month seven of sheltering-in-place, I have been reflecting on my listening habits and how they’ve helped me cope. Here’s what I’ve been listening to (for pleasure, not for work!):

March / April: The initial shock of the shutdown left me unmoored, overwhelmed, uneasy, but also a little bit invigorated. I was watching Killing Eve and therefore listening to Unloved on repeat.

May: Things got dark. I listened to a lot of Vatican Shadow, Prurient, Sunn o)).

June: Spinning from fear, rage, and the imbalance of a massive workload and two kids with nothing to do, I turned to Thao & The Get Down Stay Down’s Temple. Then I jettisoned music altogether and binged three podcasts produced by Q Code: Borrasca, The Left Right Game and Blackout.

July: Things got weird. I bought roller skates and found myself listening to the Xanadu soundtrack more than I probably should have, unironically jamming to Olivia Newton-John and Electric Light Orchestra. And, yes, I listened to Taylor Swift’s folklore a bunch too, though I tell you, I always skipped the irritating duet with Bon Iver.

August: My metal phase. Slayer’s Reign In Blood, Metallica’s Ride the Lightning on heavy rotation, then this four-part compilation of electronic, noise, ambient, experimental, industrial music from over 40 countries, curated and released by Syrphe, benefiting the people of Lebanon in the wake of the disaster in Beirut.

September: What did I listen to in September? I can’t remember. I think I was working…

What have you been listening to?